Showing posts with label Confucianism. Show all posts
Showing posts with label Confucianism. Show all posts

Wednesday, February 24, 2016

The I Ching and its Relationship to Poomsae Philosophy

  by Mark McNutt - Brown Belt Essay    

  Light, water, fire, earth, the peacefulness of a lake, the stability of a mountain, the intimidating effect of thunder, the duality of wind that can alter between soothing and destructive: connect these to poomsae and what was once a mere workout for the body becomes exercise for the mind and spirit as well.  What Taekwondo and the I Ching have in common is that they are both meant to be a way of life.  The I Ching is just a book until it is lived by a person who moves and talks and thinks and interacts with other people; Taekwondo poomsae is merely a series of defense moves, not that  
practical for daily living, until it is imbued with the spiritual and ethical philosophies of its founders.  
The I Ching, also known as The Book of Changes, was originally composed by the Taoist sage Fu Hsi and became a cornerstone of Taoism; Confucius later amended it. Taoism and Confucianism were two of the philosophies that the ancient Korean warrior the Hwarang, forerunners of Taekwondo, embraced.  I believe its safe to say that here the original connection between the I Ching and Taekwondo was made.  But it was centuries later that someone solidified this connection by putting sixteen specific Taekwondo forms, the eight Taeguek forms and the eight Palgwe forms, together with the I Ching’s eight trigrams.  Their motives for doing so are clear.  They wanted the body and the mind and the spirit to come together and be as complete as the yin/yang philosophy that is at the heart of the I Ching and in turn at the heart of the Korean culture.  They wanted each student of Taekwondo to be a living representation of the yin/yang symbol where the negative and positive of everything is represented by two complete halves forming a perfect circle. 

            So today, each Taeguek and Palgwe poomse has its correlating I Ching symbol.  Taeguek Il Jang along with Palgwe Il Jang have Heaven and Light; Taeguek Ee Jang along with Palgwe Ee Jang have Joy and Lake, and so on.  As with most things spiritual, we are handed down established interpretations by teachers and sages, then encouraged to have enlightenments of our own.  I shall approach the meaning of the I Ching symbols with this in mind.  

            Il Jang -   Heaven and Light 

Here is the concept of Pure Yang.  It points to the Creative Force that lies behind everything.  The actual I Ching interpretation is Sky; to me that suggests openness, perhaps openness to learning and the spontaneous creative process that arises thereof.  


Ee Jang -   Joy or Lake

 Non-aggressive.  Serene.  Gentle.  Spiritually uplifting.  This seems to point directly to meditation and the meditative way of life.  Our spirit, like water in a lake, reacts to agitation.  When left alone, both water and spirit will revert to their natural state, that of serenity, which can also be interpreted as joy. 

            Sam Jang -   Fire and Sun 

This suggests great energy, something that is very lively and unpredictable.  In contrast the sun by day and a fire at night can be a source of consistent warmth and comfort.  It is interesting to note that the forms that coincide with these symbols are very different from each other.  Taegeuk Sam Jang contains quick double punches and ends with a complicated series of low blocks, front kicks, and middle punches; whereas Palwge Sam Jang has no kicks, only singular punches, and at times draws on the elementary and therefore comfortable forms of Kicho Il and Kicho Ee. 
            As for a personal meaning, I think I spot a bit of yin/yang humor here in this sense.  That while we aspire to be quiet, calm and peaceful, like a lake or the glowing sun, we must avoid boring those around us.  Amidst our tranquility, we must embrace the unpredictability of fire, its vibrancy, its spontaneity.  That way we attract life to us, rather than cause life to sit back and yawn.

            Sa Jang -   Thunder 

A storm and the danger it can bring – Thunder gives this a voice.  The yin and yang of this of this has to do with courage in the face of danger.  Thunder can make a person cringe, and yet by itself it is harmless.  The disrupting effect of a kihop is one way of putting an attacker off-balance, but then it must be followed by action.  Thunder reminds us to be prepared for action and to be on guard about losing our focus.  Courage can be described as a mental and spiritual action, the ideal stance for facing thunder.  Courage has the wisdom to know that trials will pass like a thunderstorm.

            Oh Jang -   Wind

The yin and yang qualities of Wind are obvious.  It is sometimes forceful, sometimes gentle; sometimes it pierces through, sometimes it is yielding; sometimes it is destructive and sometimes soothing.  I was born in the Nashville region, part of Dixie Alley, the Tornado Alley of the South; I am very aware of the destructive power of wind.  Also, the humidity in summer can be overwhelming there, but a gentle breeze can be the ideal answer for it.  A poomse flows and if done meditatively, it can have a soothing effect upon the performer and perhaps upon observers; yet its movements are intended for battle situations where one must be destructive in order to prevent destruction to oneself or to others. 
                                                                                                                             
Yook Jang -   Water

This is the idea of acceptance, flow, and consistency.  Even the idea of forgiveness is here, for being unforgiving creates impasses in one’s path. A person must be malleable to life.  As it has been said in the dojang, water flows downhill and takes the path of least resistance.  Unlike the water of Ee Jang’s lake, this water is moving and meeting obstacles head on and becoming what the situation requires. 
A Taekwondoist must accept whatever an attack demands and take the proper shape for defense, while at the same time looking for an opening to flow into with a counter-attack.  Poomse done properly must flow and be as pleasing to the eye as the motion of a stream.  It has been noted that the consistency of flowing water can in time smooth down the rough edges of rocks and even carve out canyons; a student with a black belt is simple a student with a white belt who has had their rough edges worn away by consistency. 

            Chil Jang -   Mountain

My first inclination is to say that this is about stability, perhaps the stability of knowing one’s own mind or the stability of maintaining a healthy and balanced life.  In Taekwondo there is the physical stability of its stances that act as launching pads for all of its moves.  There are also the five tenets of Taekwondo that encourage stability in day-to-day life.
However, upon studying I discovered a different meaning.  The actual I Ching interpretation is Top Stop.  In Master Cook’s book Ancient Wisdom for the Modern Warrior this is described as “the wisdom of knowing when and where to stop, as if one is traveling up a steep mountain.”  Coming at it from that angle, I believe this is about setting your own pace, working toward your personal best, reaching for your own goals and not for the goals someone else has set for you. 
           
            Pal Jang -   Earth

Here is the concept of pure yin.  It marks the wholeness of opposites coming together to form perfect balance.  Taeguek Pal Jang and Palgwe Pal Jang equal completeness.  They are the last forms before obtaining black belt status.  Earth represents physical creation, the final result of what was begun with Heaven and LightEarth must be yielding in the creative process in order to be solid in the end.

            As a final note I will make the observation that like the I Ching, poomse is best when it is internalized. It is good to think, ‘The I Ching says, therefore I should do’, but it is even better to simply do.   When a certain form is in my mind’s memory, I can execute it accurately: but when it is in the memory of my muscles, it frees my mind to go elsewhere, perhaps into those spaces in between thoughts where the act of meditation lies.  But a form should never be mechanical: therefore, its philosophy must be absorbed as well.  Then instinctively an advanced student performing poomse can have excitement like fire, can flow like water, can express inner joy, can be forceful like the wind, can inspire courage like thunder, can know when to start and stop like a mountain climber, and know when to yield like earth.  When I think of the totality of Yin/Yang, from Heaven and Light, the act of creation, to Earth, the creation itself, I realize that a poomse that was created for students is not finished until a student performs it.  Only then is it a complete and solid creation.  In the same way Traditional Taekwondo is not complete until a student lives it in and out of the dojang.  Thanks to the influence of the I Ching students have something to carry away with them, something that will help their daily lives be as balanced as the Yin and Yang symbol is to the eye.


Saturday, January 2, 2016

Poomsae and the I Ching


Taekwondo: Poomsae and the I Ching
Brown Belt Promotion Test Essay by Sienna Lee

Poomsae and I Ching. Think they aren’t related? Think again. They tie together like Yin and Yang, hand-in-hand, and I’ll explain to you why. First, though, allow me to introduce this term to you: I Ching.

I Ching is an “ancient Chinese manual of divination based on eight symbolic trigrams and sixty-four hexagrams, interpreted in terms of the principles of yin and yang. It was included as one of the “five classics” of Confucianism”, I Ching, to me, represents peace, balance, and consistency. These three words can also be found in the art of Taekwondo, and more specifically, our Poomsae.

The I Ching relates to Poomsae philosophy. I went in circles trying to figure out how, and why, until I came to the best, simplest explanation of them all: “Each form is symbolized by a distinct philosophical component derived either from the I Ching, an ancient Taoist text, or personalities and places drawn from martial arts history”.

I think that the I Ching is an important component in Taekwondo. It brings realism and character to the martial art. The lines of the I Ching symbol represent the Yin and Yang: closed lines for Yang, and open lines for Yin. The Yin and Yang often represent two things coming together to make one whole, complete piece. I think this relates to Taekwondo. Two things in this art stand out to me: hard work and patience. Like the Yin and Yang, these two words can contradict each other sometimes. Hard work means you’re always ready to go, trying your best and not stopping. Maybe being aggressive. at some points. On the other hand, having patience can go a long way. You must have patience in everything that you do in Taekwondo, because it will never all come to you at once. You must be patient and be willing to step back, take a breath, and focus on what’s happening NOW. This can make things difficult for hard workers, and this is where Yin and Yang comes in. You must learn to balance the two to make one beautiful masterpiece: martial arts.

In conclusion, I believe that the I Ching has much to do with Taekwondo and its Poomsae philosophy. Both the I Ching and Poomsae require balance, peace, and time.

Remember this the next time you step into the dojang. Remember that you can achieve balance, peace, and time. Remember that you are a part of the Yin Yang, of the I Ching; of Taekwondo.


Thursday, October 2, 2014

Connecting the Dots - The Influence of Buddhism, Confucianism, and Taoism on Traditional Taekwondo by Master Doug Cook

Taekwondo represents many things to many people; but one thing that it is not is a religion. Although several masters may demand cult-like devotion more akin to faith-based institutions and require unreasonable, impractical and often dangerous techniques from their students, there is no real theological component to the national Korean martial art. Yet it would be disrespectful of history to ignore the reality that the three major philosophical paradigms of Buddhism, Confucianism and Taoism have had a significant influence on the ideology of traditional taekwondo. Consequently, while these three systems were never
meant to be deified by their founders, it is the ethical and metaphysical content that the martial artist distills from each and not the religious component. From the Ten Mental Educations recited at the end of a training session, to meditation, ki development and the respect paid to seniors, all the taekwondoist needs to do is connect the dots between the aforementioned practices and the Asian philosophical triad to gain a better understanding of their art.
Buddhism, first introduced to Korea from China in A.D. 372, encompasses the teachings of Siddhartha Gautama who came to be known as Buddha or the Enlightened One. The Buddhist canon consists of the Four Noble Truths, the Eightfold Path and in some cases, the tradition of Seon (Zen, Chan) or meditation. A cornerstone of this system is a belief that suffering arises as a direct result of desire. While Buddhism was practiced in ancient Korea during the Three Kingdoms and United Silla (A.D. 668-935) periods, it eventually evolved into the state religion of the Koryo Dynasty (A.D. 918-1392). Later, during the Chosun Dynasty (A.D. 1392-1910) when Confucianism ruled, the Righteous Monk movement played a vital role in repelling the Japanese invasion unleashed on Chosun in A.D. 1592.
Confucianism on the other hand, revolves around a blueprint rooted in ethical and philosophical principles developed by Kung-fu Tzu (551-479 B.C.) or in Western terms, Confucius. Encouraging exemplary moral behavior and communal endeavor, Confucianism dominated during the Chosun era, eclipsing Buddhism and championed scholastic achievement rather quotidian skills of warfare. Included in this philosophy was a hierarchal respect for elders and forbearers.
Last, but by no means least important, is the influence Taoism has exerted on the social fabric of Korean culture specifically, and thus traditional taekwondo in general. Noted for its focus on the relationship between humanity and the natural order of the Universe known as the Tao or the Way, Taoism is thought to have been established by Lao Tzu (570-490 B.C.) who, as legend has it, may be a name for a combination of individuals rather than a single man.
When we consider the connection between these three primordial Asian philosophies turned religions, a good place to start is with the Ten Mental Educations or the Student Creed of Taekwondo, which includes the following principles:

·       Be loyal to your country.
·       Be loving and show fidelity to parents.
·       Be loving between husband and wife.
·       Be cooperative between brothers and sisters.
·       Be faithful to your friends.
·       Be respectful to elders.
·       Establish trust between teacher and student.
·       Use good judgment before harming any living thing.
·       Never retreat in battle.
·       Always finish what you start.     

Upon close inspection, we find that the subsequent actions required by this code of moral behavior rest solidly in Confucianism’s camp. Filial piety, a deep respect for the wisdom cultivated by elders and the placement of  the welfare of the community above self, are all signifiers of the influence Confucianism has exercised not only on the dictates of traditional taekwondo, but, again, on Korean society at large. Just as we bow to upper belts in the dojang, it is not unusual in the homeland of taekwondo for juniors to readily assist seniors in any number of situations. Similarly, even though taekwondo is predominantly a physical art, the nurturing of the intellect through the study of technical nomenclature, Korean history as it relates to the native martial arts and a grasp of the rich philosophical underpinnings of taekwondo poomsae, all subscribe to Confucian ethics.
Likewise, the virtue of using sound judgment before harming any living thing has its source in the teachings of Buddhism. It was the Buddhist monk Wonkwang Popsa who transmitted the concept of using just force in battle to two, young Hwarang warriors, Kwisan and Chuhang during the Silla era that thunders down the centuries and continues to govern the use of modern day taekwondo tactics today. Zen or Seon Buddhism has also contributed to focused meditation; a practice considered to be a vital element of the traditional taekwondo curriculum. Seating in a rooted posture emulating a great mountain, with the knees resting on the floor and the torso, shoulders and head tapering into a majestic peak, promotes stability and tranquility of mind while acting as a centering force prior to training.
Yet clearly it is Taoism that contributes most to the metaphysical aspects of traditional, pure-form taekwondo. For instance, the ancient Taoist art of qigong, or work on qi, has supplied a roadmap for the various exercises we have come to rely upon in the Korean martial arts to cultivate and manifest ki, the internal, animating life force used to amplify technique. Moreover, the Eum/Yang, universally known, with some modifications, as the Taoist Yin/Yang, provides a timeless symbol signifying the duality of opposites, balance and an acceptance regarding the notion of constant change. But it is the Way, recognized in Taoism as a central doctrine, which reminds all martial artists that we are on a path to excellence in following the Way of traditional taekwondo.
For many practitioners, me included, traditional taekwondo, if practiced with vigor, diligence and sincerity, provides many of the spiritual requirements found in formalized religion yet devoid of the complex dogma unique to such pursuits. Nevertheless, it is worthwhile remembering that the national Korean martial art is first and foremost an action philosophy and a physical endeavor supported by a rich underlying philosophy steeped in ancient wisdom.           



Master Doug Cook, a 6th dan black belt, is head instructor of the Chosun Taekwondo Academy located in Warwick, New York, a senior student of Grandmaster Richard Chun, and author of four best-selling books entitled: Taekwondo…Ancient Wisdom for the Modern Warrior, Traditional Taekwondo - Core Techniques, History and Philosophy, Taekwondo–A Path to Excellence and Taekwondo Black Belt Poomsae: Original Koryo and Koryo, all published by YMAA of Boston. He can be reached for lectures, workshops or questions at www.chosuntkd.com or info@chosuntkd.com